My practice explores the relationship between nature, social structures, and material transformation through ceramics, installation, and participatory work. I engage with clay, organic matter, and living processes, approaching them as carriers of memory and meaning. The motif of the Tree of Life appears as a central structure — a symbolic system connecting life and death, and conscious and subconscious worlds. Through tactile processes, I work with cycles of growth, decay, and renewal. I also develop my own glazes using ashes from local herbs, grounding the material in its environment. My installations take the form of temporary spaces for reflection and connection, where ancient knowledge and intuitive understanding can re-emerge in a contemporary context.